Contemporary art should have prepared us to stop looking exclusively for harmony, but also to perceive contrasts, tensions and discontinuities, fragmentations and accumulations in a positive way, and thus to look at the city within a dynamic system that is not defined by previous aesthetics. (...)
The hypercity is not a disorderly collection. It is created by a multitude of rational and logical decisions, which, however, obey different logics that are often in competition with each other. Due to the large number of interventions, the result for the overall space is hardly predictable.