A work of art never allows a privileged, definitive, frontal view; rather, it induces the spectator to shift his position continuously in order to see the work in constantly new aspect, as if it were in a state of perpetual transformation.

Eco, Umberto: The Open Work (1962)

  • Agent
  • Semester
    Repetition/Difference
  • Media
  • Type
    Book
  • Uploaded by
    Calzana, Leonie & Chung, Sungjoo
  • Uploaded on
    211122