The socialization of art represents the convergence of the forces of creation and production toward a goal of dynamic synthesis and technical metamorphosis: it is through such restructuring that man and reality find their true, modern face, that they become natural again, having overcome all alienation. Marcusian mythology is used to demonstrate that it is possible to achieve a vaguely defined “collective freedom” within the current relations of production, and not through their subversion.

Hays, Michael K.: Architecture Theory Since 1968 (1998)

  • production
  • freedom
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    Karbeyaz Cagri, Ludwig Anna, Reverberi Edoardo
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