ABUNDANCE
the situation in which there is more than enough of something

ENOUGH
as much as is necessary

NECESSARY
needed in order to achieve a particular result

ABUNDANCE
the situation in which there is more than needed to achieve a particular result

Apollo embodies the balance and harmony of the passions, achieved not by suppressing instinctive impulses, but by directing them through the devel- opment of awareness towards an ever- increasing spiritualization. [...]
On the contrary, Apollo symbolizes the defeat of violence, inspired self- control and the marriage of reason and intuition, being the son of a god, Zeus, and through his mother Leto the grandson of a Titan. His wisdom is acquired, not inherited. [...] He symbolizes the acme of spiritualization and is one of the noblest symbols of the ascent of man.

ANIMUS is the city of ideals. A city like the mind. Its parts insides, like thoughts, enclosed and pure without noise nor elsewheres. Though built all ideals break, getting place, weight and context, in ANIMUS without hierarchy nor transition ideals meet and clash becoming new ideas. Not eradicating but escalating their contradictions. Making its sum a mind of itself abundant in ideas. To let its inhabitants always be inside their desires but never be imprisoned by them. Always changing and keeping them as well as the city in the only state of real ideality - the striving for it.

we are apollonian
controlling our desire
successful in our goals
let abundance break them
to be Apollonian again

an ideal city
striving for meaning
no transitions, no outside
an entity from within our minds
its parts ideal, exactly what we want
its sum an experience beyond imagination
to continually change what we want
and keep us striving for the ideal

By three methods we may learn wisdom: First, by reflection, which is noblest; second, by imitation, which is easiest; and third by experience, which is the bitterest.

On the very lowest level of interpretation, this means that the real object that desire lacks is related to an extrinsic natural or social production, whereas desire intrinsically produces an imaginary object that functions as a double of reality, as though there were a “dreamed-of object behind every real object,” or a mental production behind all real productions.

ABUNDANCE (n.)

copious quantity or supply, mid-14c., from Old French abondance and directly from Latin abundantia “fullness, plenty,” abstract noun from abundant-, past participle stem of abundans “overflowing, full,” present participle of abundare “to overflow”

He [Friedrich Nietzsche] sees the dark foil upon which the serene and golden world of Olympus is painted. “In order to make life possible, the Greeks from sheer necessity had to make these Gods.”
“The Greek knew and felt the terror and awfulness of existence: to be able to live at all he had to interpose the shining, dream-borne Olympian world between himself and that dread.

For there to be art, for there to be any aesthetic activity and observation, one physiological prerequisite is indispensable: intoxication. [...] the intoxication of the will, the intoxication of an overloaded and swollen will. – What is essential in intoxication is the feeling of increased strength and fullness. This feeling leads us to donate to things, to make them take from us, to force ourselves on them – this process is called idealizing. Let’s get rid of a prejudice at this point: idealizing does not consist, as is commonly thought, in taking away or subtracting what is small and incidental. Instead, what is decisive is an immense drive to bring out the principal traits, so that the others disappear in the process.