S1E5 Dionysos

Villeneuve, Denis: Arrival (2016)

ACCIDENT

Accident in Dionysos: AEOLIA (2020)

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ARGUMENT

Kiefer, Anselm: the big freight (2005)

Af klint, Hilma: Buddha's Standpoint in the Earthly Life (1920)

unknown: Oil pumping jacks and drilling pads at the Kern River Oil Field, USA (2000)

  • nomad
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    Carlier Nicolas, Piazza Dario
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Welner, Alan: Philippe Petit crosses between the Twin Towers (1974)

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    Dionysos
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    Photography

Fischli, Peter; Weiss, David: Equilibres Outlaws (1986)

祸兮福所倚,福兮祸所伏。

Danger is the neighbour to security;Misfortune may be a blessing in disguise.

Lao Tzu: Tao Te Ching (300)

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Matisse, Henri: Dance (1910)

  • ecstasy
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    Jann Severin, Klettner Soler Beatriz
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superstudio: supersurface (1967)

Nieuwenhuys, constant: new Babylon (1959)

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Koolhaas, Rem; Vriesendorp Madelon: The City Of The Captive Globe (1972)

Accident in Dionysos: Joker (2020)

Rem, Koolhaas: Downtown Athletic Club (1976)

Accident in Dionysos: Section (2020)

Accident in Dionysos: Orthophoto (2020)

Accident in Dionysos: ORTHOPHOTO_ZOOM IN (2020)

ARSENAL

The city of Aeolia consists of several interconnected buildings suspended above the exploited ground. Ground is divided with a homogeneous grid. Each building has its own dedicated plot to utilize the resources. The more the ground is being exploited, the more unstable the upper structures will be. The growth of the upper structure and its ground contain a fragile relationship. To maintain the stability, buildings hold on to each other and work together as an interwoven fabric. The interwoven spaces accommodate desires of metropolitan life, culminating it with this techno-psychic apparatus.
In the city of Aeolia, potential accidents are transformed into a driving force of diversity, collaboration and interdependence.

Accident in Dionysos: statement (2020)

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We, the citizens of Aeolia, who regard danger and tension as a positive force to our city dynamic, transgressed the excavated grounds with a constant overall pattern, superpose an interconnected variable layer above.

1. Resources on the ground are equally distributed to buildings by using grid.
2. Each building is allowed to excavate the ground within its own plot.
3. Buildings hold on together to resist the potential danger of collapsing.

Accident in Dionysos: CONSTITUTION (2020)

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Accident /ˈaksɪd(ə)nt/

noun.

An unfortunate incident that happens unexpectly and unintentionally, typically resulting in damage or injury.

Oxford Languages: definition of accident (2020)

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Aristotle: symmetry between accident and substance (2020)

  • ontology

Constant: New Babylon (1959)

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    Bovet Milena, Kirchhofer Ann-Sophia
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Dunn, Greg: dendrites (2012)

Greg, Dunn: cerebral cortex (2012)

nieuwenhuys, constant: new babylon (1974)

  • utopia
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Denes, Agnes: Wheatfield (1982)

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  • field
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    Fritschi Sandro, Wyss Oliver
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unknown: Hoodoo (2007)

Unknown: Giant organ pipe cactus (1895)

Kiefer, Anselm: Occupations (1969)

Luna 3: Far side of the moon (1959)

Van Doesburg, Theo: Counter-composition V (1924)

Friedman, Yona: Ville Spatiale (1959)

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    Bovet Milena, Kirchhofer Ann-Sophia
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We have two contradictory pictures of reality; separately neither of them fully explains the phenomena of light, but together they do.

Einstein, Albert; Infeld, Leopold: The Evolution of Physics (1938)

  • waveparticleduality
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Unknown: Hadron Collider (2018)

  • acceleration

To invent the sailing ship or steamer is to invent the shipwreck. To invent the train is to invent the rail accident of derailment. To invent the family automobile is to produce the pile-up on the highway. To get what is heavier than air to take off in the form of an aeroplane or dirigible is to invent the crash, the air disaster.

Virilio, Paul: The Original Accident (2017)

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Cavallo, Atrio: The eruption of mount Vesuvius (1780)

Bourgeois, Louise: maman (1999)

Himmel Blau: sky culisee (1976)

Hare, Clyde: Jones and Laughlin Steel Company (1957)

  • industry

Those who would give up essential Liberty, to purchase a little temporary Safety, deserve neither Liberty nor Safety.

Franklin, Benjamin: Unknown (1755)

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Lambot, Lan: Kowloon Walled City (1989)

  • heterotopia

Unknown: Offshore Platform (2014)

Brodsky, Alexander; Utkin, Ilya: Amphitheater (1989)

  • curve
  • limit
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    Brusch Lukas, Malik Niti, Rutishauser Silvio
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Man was created out of desire, not out of necessity.

BACHELARD, GASTON: LA PSYCHANALYSE DU FEU (1949)

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Henner, Mishka: Levelland Oil Field, Hockley County, Texas (2013)

  • oil
  • void
  • abuse
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    Epprecht Daniel, Walter Alex
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MARÉCHAL, URÉLIEN: Block (2012)

FOURNIER, VINCENT: NOOR 1 OUARZAZATE MOROCCO (2016)

The more each "island" celebrates different values, the more the unity of the archipelago as system is reinforced. Because "change" is contained on the component "islands," such a system will never have to be revised.

KOOLHAAS, REM: DELIRIOUS NEW YORK (1978)

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CHIEN, CHIA MING: infinit pool (2012)

Heizer, Michael: Double Negative (1969)

The Bad Kids: Balcony of Dongsheng (2020)

Eliasson, Olafur: The Mediated Motion (2001)

  • void
  • fog
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Nieuwenhuys, constant: new Babylon (1959)

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    Grimaldi Virginia, Isora Perazzi Giovanni
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Fritz Lang: Metropolis (1927)

  • utopia
  • city

Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling.

Burke, Edmund: A Philosophical Enquiry into the Origins of our Ideas of The Sublime and Beautiful (1757)

  • sublime
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Archigram: Underwater City (1964)

Kubrick, Stanley: 2001: A Space Odyssey (1968)

  • astonishment

Genth, Ulrich, Mutter, Heike: Tiger and Turtle Magic Mountain (2011)

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    Bruderer Arno, Eichmeyer Pierre
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The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.

Lovecraft, Howard Phillips: Supernatural Horror in Literature (1927)

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Superstudio: Atti Fondamentali, Vita Superficie (1971)

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Hodges, William: Moʻai on the Easter Island (1976)

Hilberseimer, Ludwig: Vertical City (1924)

  • city
  • overlayering
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    Fritschi Sandro, Wyss Oliver
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PIRANESI, GIOVANNI BATTISTA: CARCERI (1745)

Munch, Edvard: The Scream of Nature (1893)

Meissner, Martin: The Garzweiler coal mine (2020)

Sternfeld, Joel: After A Flash Flood (1979)

Unknow: lifting (2019)

Unknown: Mir Mine (2019)

  • mine

UNKNOWN: STORAGE TANKS STAND IN THE DUNA OIL REFINERY, SZAZHALOMBATTA, HUNGARY (2019)

US DEPARTMENT OF DEFENSE: BAKER SHOT (1946)

Westall,Richard: The Sword of Damocles (1812)

UNKOWN: Mir Diamond Mine (2020)

UNKOWN: Carrara Marble Quarry (2020)

When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible; but at certain distances, and with certain modifications, they may be, and they are delightful, as we everyday experience.

Burke, Edmund: A PHILOSOPHICAL ENQUIRY INTO THE ORIGIN OF OUR IDEAS OF THE SUBLIME AND BEAUTIFUL (1757)

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UNKNOWN: Solar Panel in Taihang Mountain (2019)

Abramović, Marina; Ulay: Rest Energy (1980)

Ebbets, Charles: lunch atop a skyscraper (1932)

  • newyork
  • skyscraper
  • lunch

Carsten, Sitte: Dubai (2018)

  • dubai
  • clouds
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UNKNOWN: TROLL A PLATFORM (1995)

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    Chan Chiara, Haushofer Oskar
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